In March/April 2017 we went to Tenerife for a few days to hit the street spots besides the newly built skatepark in the capital Santa Cruz. In 3,5 days the team skated and destroyed every spot in their path, as well as a little exploring through the Islands downhills through the rich natural reserves. Enjoy the show!
Riders: Cristian Delgado, Andres “Niki” Diaz, Jeffrey Luque, Vladimir Ivanov, and Miguel Sanchez
Film & Edit: Kevin Figueras
Additional film: Jeffrey Luque
Motion Graphics: Yeyo Roro, based on the designs by PalomitaDay
At the end of March we went with the team for a couple of days to Tenerife in the Canary Islands to visit our friends at AJ PROJECT Skateshop and to skate the spots on the island where it’s (almost) always nice weather. One afternoon we threw down a good session with all the locals in the recently built skateplaza “La Granja”.
Miguel Sánchez, Cristian Delgado, Vladimir Ivanov, Andres Díaz “Niki”, Jeffrey Luque, Maikel Jas, Josue Sánchez
Film & edit: Kevin Figueras
Additional film: Jeffrey Luque.
Thanks to Jose de la Rosa & Francisco José Alcoba Gonzalez for the hospitality.
Last summer one of our good friends and designer Christophe Zedler (Member of KRID Kollektive) went on a journey up North, to spend a couple of weeks at WILDACT ADVENTURES in Arvidsjaur, Sweden.
The fast and easy way to get from Switzerland to the north of Sweden would be taking a plane. Chris wanted to make the adventure more special and came up with the idea to transform a van to a camper, and drive from his hometown Basel, Switzerland, up north.
The van was also equipped with a mobile screen printing installation for boards and T-shirts, to be set to use at the numerous stops ‘en route’. We joined forces with Chris by supporting him in preparing the journey and by providing materials for the printing, NOMAD x NORTHBOUND was born.
Hi Chris, it’s been a couple months after getting back to Basel; did you need time to get used to ‘normal’ life again?
Hola. Good point right at the beginning – the answer is just a plain: YES. I took some weeks to get back to normal working hours and a regular day rhythm. But since the journey’s impressions where still quite present it was not a big of a deal. Comparing Van life to life in a fixed flat, it was kind of overwhelming how much space u actually “claim” for yourself and your stuff. So almost straight after arriving I started thinking about what to get rid of and what to change in terms of living in a flat.
Let’s go back to the beginning. Where did the idea come from to spend some time up north?
The last years I spent usually my vacations at the French coast. I like the sea, but I also like forests and rough nature. I’ve been to Norway a while ago for a very short visit and I always wanted to see a bit more of this part of Europe. After Wildact Adventure tours was posting something on social media about that they are looking for helping hands, I thought that it could be a nice way to visit a much more Northern part of Europe than I have been to before. And to be honest: it was a good decision.
You made various stops on the way before reaching Arvidsjaur, in Strasbourg, Trier, Bremen, Copenhagen, Norrköping, and Skelleftea. Which stop was your favorite and why?
That’s a tough question. I enjoyed all of the stops. They all were quite different, but each one had something special to itself. Strasbourg was exciting because it was the first stop, so the material and setup needed to proof it. The stops in Copenhagen and Malmö I enjoyed the most. I guess because the weather conditions were the best, and it was easy to stay inside the cities with the camper and because of the amazing people I met. But actually I loved all the stops.
On each stop you had a new design for the decks and shirts. Where did you find the inspiration and concepts?
Usually I was trying get a bit of cultural background knowledge of the cities we stopped. Usually in Europe u find plenty of sculptures or medieval buildings for inspiration. Sometimes I got to know some funny stories about the cities by just walking around and talking with people who live there. The hardest one was Skelleftea actually. After I met a nice older guy who used to work on industrial ships all over the oceans it was clear to me what to do, he told me a bit of history about what used to be one of the biggest industries in the area.
How was life in Arvidsjaur compared to Basel? What were the activities each day?
I guess “wilder“ is the right word. Almost in every corner you could find the next adventure. It’s a small town and we stayed like 15 km outside of Arvidsjaur at Wildact’s Ranch. There u have plenty of nature. Everything is wide and open, with almost untouched earth; well at least it felt like that. Usually we had breakfast with the team of Wildact, we worked on building a new house or I was working on the screen printed postcards that created during my time there.
At the weekends it was time to see more of the incredible nature of Lapland and go for small trips. It was quite a nice time to recharge the batteries and learn a bit about living outside and how to use the tools given.
Did you miss anything while staying there, or on the contrary what didn’t you miss?
What I didn’t miss for sure were the loud streets, people yelling around and things one could call ‘urban hectic’. What I missed is actually hard to answer since everything was so impressive. Time…yes time was missing. I would have loved to stay some more weeks.
The journey back south went quicker, with stops in Göteborg, Klitmöller and a visit to your family in Erfurt. Did you feel some sort of homesick at some point?
I wouldn’t call it homesick, but for sure it was nice to come back. It’s always good to come home to meet your friends and family. I hadn’t been in Thuringia for a while and it turned out to be a good thing to spend some days in the area I grew up. I met up with friends that I hadn’t seen in years and we had a good time.
The ride was a bit exhausting at the end. Maybe it was the German autobahn with the trucks overtaking me, since the van was not built for high speed chases.
Usually I get quite inspired by NOMAD SKATEBOARDS itself. I love how you work with designers, artists and the team itself. Some products this time where inspired by the preparation for the journey. Spending a lot of time outside and developing a style that can be used for the whole project was a big influence. During that time I was also very much into creating structures influenced by nature, like trying to recreate tree bark with more urban tools or trying to find natural lining, patterns and shapes that could be used for creating new objects or artworks.
Going Northbound is just one direction. In the future, do you plan similar trips to the South or East?
I would like to go on some more journeys with the screen printing concept for sure. To see new places, but also to develop more skills in screen printing and the whole developing process and other techniques.
If you are up for it, let’s go!
Thanks for your time! As always it’s a big pleasure to work with you. Do you wish to thank anyone?
Yes for sure! I thank NOMAD SKATEBOARDS for supporting the idea of the journey and making it happen, and of course for your trust. It wouldn’t have been the same without your help and coordination. Furthermore I thank Ashes Griptape for a full box of grip tapes, Siebdruckland for color and equipment support, Wildact Adventure Tours for the Hosting, Franziska and Johannes for a place to stay in the north, Max for having a great time in Copenhagen, my family for supporting, and everyone helping preparing the journey, following and coming out for the screen prints or a nice session.
This fall/winter we launched two new series. The Secret Societies series is the biggest of the two, with 5 decks, a wheel design and various shirts and sweaters. The mastermind behind these series is Miguel Sousa a.k.a. HeyMikel.
Time for a quick interview with him about the series!
HeyMikel, could you please give us a quick introduction?
My name is Miguel Sousa, I am a 27 years old London based designer, originally from Porto, Portugal.
How long have you been designing and how did you start?
I have been drawing since I was a kid, influenced by cartoons like Dragon ball, Akira, Ninja turtles, Samurai-x, etc. When I was younger I drew for fun, specially during boring classes. So it made sense to join a specialized graphic design high school.
After high school I studied communication design at a University, and after that a masters in illustration and animation.
During my academic years, in my spare time, I would always sharpen my illustrations skills with freelance projects through art exhibitions, t-shirts, gig posters, magazine and newspaper illustrations or self-through projects.
You’re currently residing in London, UK, how did you end up there?
I have always wanted to live abroad especially in London, however I waited for the perfect timing career wise.
When I was doing my masters in illustration in Portugal I was working for a clothing brand, until an opportunity came up to work in Madrid . I didn’t think twice and in a couple of weeks I was in Madrid, I never expected it but it was a great choice.
I was then invited to move and work in London, which was an easy choice as I always wanted to experience the fast pace of this city.
Besides graphic design, do you have another job? What is your profession?
A few years ago i was really into the illustration scene, almost full-time.
In the past few years I have been working as a creative designer / art director in advertising agencies such as Lola MullenLowe Madrid and now Saatchi and Saatchi London. Advertising is exciting because you can work with big clients and large budgets that allow you to produce big things and work in a greater range of projects with talented people.
How do you normally begin with a design? Where do you find the inspiration and concepts?
Normally I try to find a good idea to start with, could be something metaphoric or literal, but always with an idea behind it. I carry with me a sketchbook all times, to write and visualize the ideas on first instance, for me it’s the most valuable tool.
How do you know NOMAD SKATEBOARDS and have you done other projects for the brand?
Lola Madrid used to work with Nomad regularly, so I knew the brand well, however, I had never worked on the brand itself before.
For the SECRET SOCIETIES SERIES, how did you start?
For the Secret societies Series, the first idea came from Lucas Reis (Art Director), We’ve been working together on different projects, so it was an easy process developing, visualizing each idea and transforming them in a piece of work. It required a lot of patience and effort as every illustration is very detailed, but the result was worth the time.
We totally agree on the result, the boards have become simply amazing and it’s a pleasure to work with you! Is there anyone that you would like to thank?
I would like to thank the Nomad team. They were simply a pleasure to work with. Nice and professional people. Secondly, but by no means less important , I would like to thank Lucas Reis for the collaboration and for kicking off the project. Also Gabriel T. Garcia, José Hernandez and Dan Reeve for helping me with filming, editing and animating the teaser video for the skateboard collection.
Give Miguel a follow on his social media and stay up-to-date with his last work:
Vladimir Ivanov has been riding for us since 2014, and he’s super stoked to be a part of the Nomad Family. After the team meeting in July he stayed for another three weeks with us in Zaragoza to film for his upcoming video part. We got to know him as a mellow, relaxed guy who only gets pissed off when he does not land his tricks. He’s super dedicated to seek the limits of his skating, even with 45 degrees celcius he hit the streets to get clips.
Full part + interview coming in October, check the teaser below!